Success Stories
“I wish everyone could experience these classes.”
Kim Lanzillotta
“I know the Artist’s Way book is set up so the reader will do it on their own but creative blockage being what it is, that often fails. Being in a group was the best way to do it. I wanted my best friend to take a class like this in NYC but none existed. It occurred to me how lucky we are in Los Angeles.”
Eleanor Whitledge
“What I learned is that there is no ‘there’ to get to. This takes off a lot of pressure and gives space for art. I also learned
I have feelings and that in the midst of my head clutter, I have something
to say.”
Lisa Alden,Screenwriter & Development Executive
“I wish everyone could experience these classes.”
Kim Lanzillotta
“I know the Artist’s Way book is set up so the reader will do it on their own but creative blockage being what it is, that often fails. Being in a group was the best way to do it. I wanted my best friend to take a class like this in NYC but none existed. It occurred to me how lucky we are in Los Angeles.”
Eleanor Whitledge
“What I learned is that there is no ‘there’ to get to. This takes off a lot of pressure and gives space for art. I also learned
I have feelings and that in the midst of my head clutter, I have something
to say.”
Lisa Alden,Screenwriter & Development Executive
Frequently Asked Questions
Interview with Kelly Morgan
“Your expression is unique and it’s not your job to determine how good it is, nor how it compares with others. Your only job is to open your creative channel and translate that expression into action.”
How do I know the workshops will work for me?
How can I get the most out of these workshops?
What happens during class sessions?
Why can’t I form my own AW group? Or do book by myself?
What are the advantages of taking AW with Kelly Morgan?
Are these workshops therapy?
What if I don’t want to share in class?
What kind of time commitment will this program take?
What about the first night of class?
How many people will be in the workshop?
What kinds of people take the workshop?
How do I sign up?
What if I missed the first night of class, can I still sign up?
How do I know the workshops will work for me?
You don’t. There are no guarantees. If you sign up for CreativeLife workshops and don’t show up, they won’t work. However I’ve witnessed this process work for hundreds of people over the past twelve years. Those who show up and practice using the tools of this program benefit the most but it’s not about doing this perfectly . . . if you miss a class or don’t do a reading, or skip one of the daily practices, just show up the next day. That’s the basis of the program . . . when you focus on creating the experience you want, you create it — in this course or anywhere else in life. So better questions to ask yourself are: “Am I willing to commit? Will I show up for myself? Will I allow myself to accept support from others when I loose my vision? Am I willing to try something new? In the end, it’s up to you! These workshops work when you work them.
What will you get out of this workshop?
We suggest that you ask yourself what you want to realize from taking a workshop. Then set an intention such as “I intend to become more confident; or I intend to start writing again.” Or I intend to find a job that makes me want to get up in the morning. Be as truthful with yourself as you can. Then let go of the outcome and allow yourself be surprised by what happens. Many get something completely different than they expected . . . and often it’s better than they ever imagined. If you would like some help in setting an intention before you enroll, please call Kelly.
What will I actually be doing during the three hour workshop sessions?
Every week we begin the night with a group discussion. Afterwards the workshop sessions are experiential rather than theoretical. The class sessions are like a lab in which you practice being in the creativity zone. Specifically, in the Artist’s Way Workshop, the tools, techniques and activities such as those that you will find at the end of the chapters in the book will be done in class. In the advanced workshops, we build on this foundation and work with other techniques such as Voice Dialog, Active Imagination, Dreams, Archetypes, Meditation and more.
Why can’t I form my own Artist’s Way group? Or do the book on my own?
You can. There are people who successfully complete this book on their own or with friends. If you want to form your own AW group, check out Julia Cameron’s “Guidelines for Starting a ‘Creative Cluster’ in Vein of Gold.
What are the advantages of taking the AW and other CL Workshop with you?
I have successfully facilitated The Artist’s Way and other workshops about how to get into the creativity zone over a decade. I do not consider myself “the teacher”. I don’t tell others what to do or psychoanalyze. Rather I lead by example. After all these years I still write morning pages and take artist’s dates. I share about how I overcome my own creative blocks and encourage others to do the same. Most important, my experience enables me to create a non-judgmental group setting for us all to feel safe enough to take risks and move beyond limitations to overcome the inevitable obstacles that accompany the decision to grow and expand.
We can’t always see our own creative blocks. My job is to shine the light on what wants to be seen. Most of us are like the golfer who can’t see what is wrong with his swing. We have unconscious creative habits and thoughts that do not serve us. Because of my extensive experience as an artist and facilitator, I’m able to coach participants in a compassionate way to see what they are not seeing. As one of my teachers used to say “simple awareness is often curative.” My coaching helps people overcome frustration and try something different. This makes it easier to complete the workshop and make necessary changes in all areas of life.
Are these workshops therapy?
THIS IS NOT THERAPY. While you or others may share some personal history or feelings during the course, the primary focus is on creativity as a practical and spiritual process. I moderate discussions and encourage everyone to find their own answers based on the experiences they have inside and outside of the workshop setting.
What if I don’t want to share?
In order to make The Artist’s Way workshop a safe place for creative recovery, I like people to work at their own pace. Nobody has to share. If a participant wants to pass on an activity or exercise, I ask that others in the group respect their decision to pass. At the same time many people want to expand and let themselves be seen, so there will be times I’ll encourage someone to take a risk . . . say, to participate in an activity that doesn’t feel particularly comfortable. But once again, every participant always has the option to pass.
What kind of time commitment will this program take?
You have a life and this program is designed to support you in living it more fully. Each class period is three hours and we do the kinds of exercises that are in the Artist’s Way book during the class period so you will not be expected to do the exercises at the end of the chapters at home. You will also be asked to read one chapter each week. You will also begin to work with the basic AW tools: the Morning Pages and the Artist’s Date. The morning pages take most people 15 - 30 minutes each day. The artist’s date requires that you do do something fun for at least an hour once a week. I also give small homework assignments . . . . for example in the first week of the AW, I ask that you eat your childhood food.
What about the first night of class?
BRING a journal, water and an open mind (believe me, the person across the room who makes you wonder if you are in the right place might be the very person you want to keep in touch with when the program ends. I’ve seen it happen more than once.) REGISTRATION on the on the first night of class begins at 6:15 P.M. If possible, please show up early so we can start on time.
How many people will be in the workshop?
In past years, there have been as few as 25 and no more than 65 people. Both group sizes have their advantages and disadvantages. Many say they find the diversity of a larger group more stimulating but it can be overwhelming at first, especially for those who are quiet or shy. No matter what size class, you will have a chance to connect with others. First, you will break into clusters (as Julia calls groups of four). These small groups provide a more intimate way to share the in-class exercises and activities. They make it easy to get to know others. Usually by the 2nd or 3rd week of class, people feel more comfortable. By the end of the course, a sense of community begins to emerge. And second . . . \coaching Assistants are always available to help you. These are people who have completed the one year CreativeLife program. They answer questions, share their own experiences and explain homework assignments.
What kind of people take the workshop?
Working artists. Aspiring artists. Non-artists. This workshop is for anyone who wants to practice “the way of the artist.” We’ve had scientists, agents, producers, other career professionals, housewives, hairdressers, comedians and students, even a “ghost buster.” We have had people at the beginning, middle and end of their careers who want to feel more inspired.There are both men and women ranging in ages between 17 to 80.
What people in the workshop usually have in common?
I believe the demographics of the workshop are less important than what people have in common. Most want to ‘change’ or “expand”. Many are in a transition. Some want to spend time around other creative individuals; others want to earn their living as an actor, finish a writing project, feel more inspired about a job or relationship. Some want to focus on themselves instead of everybody else; balance left and right brain activity. Some are tired of playing small. They want to move thought their self-criticism, jealousy and other limiting beliefs to enthusiasm, joy and juicy creativity.
What if I miss the first night of class, can I still sign up?
If there are still spaces available, you can sign up on the second or third week of the workshop. No one is allowed to begin the workshop after the third week because the content of the course builds on what proceeds it. Also I want everyone to get to know each other so that we feel safe experimenting and expressing ourselves.
How do I sign up?
1) Complete the registration form on this site. Or call (310) 839-3424.
2) Pay your $100.00 deposit or the full amount by clicking on “to register” below.
NO REFUNDS.
3) You will receive a letter confirming your enrollment, location, times, etc.
PAYMENT PLANS AVAILABLE.
If money is your only concern, please don’ let it stop you from beginning your creative recovery program. You can make payments, either with post-dated checks or on-line.
Who Benefits From The Artist’s Way? .......... Artist’s Way .......... To Register
You don’t. There are no guarantees. If you sign up for CreativeLife workshops and don’t show up, they won’t work. However I’ve witnessed this process work for hundreds of people over the past twelve years. Those who show up and practice using the tools of this program benefit the most but it’s not about doing this perfectly . . . if you miss a class or don’t do a reading, or skip one of the daily practices, just show up the next day. That’s the basis of the program . . . when you focus on creating the experience you want, you create it — in this course or anywhere else in life. So better questions to ask yourself are: “Am I willing to commit? Will I show up for myself? Will I allow myself to accept support from others when I loose my vision? Am I willing to try something new? In the end, it’s up to you! These workshops work when you work them.
What will you get out of this workshop?
We suggest that you ask yourself what you want to realize from taking a workshop. Then set an intention such as “I intend to become more confident; or I intend to start writing again.” Or I intend to find a job that makes me want to get up in the morning. Be as truthful with yourself as you can. Then let go of the outcome and allow yourself be surprised by what happens. Many get something completely different than they expected . . . and often it’s better than they ever imagined. If you would like some help in setting an intention before you enroll, please call Kelly.
What will I actually be doing during the three hour workshop sessions?
Every week we begin the night with a group discussion. Afterwards the workshop sessions are experiential rather than theoretical. The class sessions are like a lab in which you practice being in the creativity zone. Specifically, in the Artist’s Way Workshop, the tools, techniques and activities such as those that you will find at the end of the chapters in the book will be done in class. In the advanced workshops, we build on this foundation and work with other techniques such as Voice Dialog, Active Imagination, Dreams, Archetypes, Meditation and more.
Why can’t I form my own Artist’s Way group? Or do the book on my own?
You can. There are people who successfully complete this book on their own or with friends. If you want to form your own AW group, check out Julia Cameron’s “Guidelines for Starting a ‘Creative Cluster’ in Vein of Gold.
What are the advantages of taking the AW and other CL Workshop with you?
I have successfully facilitated The Artist’s Way and other workshops about how to get into the creativity zone over a decade. I do not consider myself “the teacher”. I don’t tell others what to do or psychoanalyze. Rather I lead by example. After all these years I still write morning pages and take artist’s dates. I share about how I overcome my own creative blocks and encourage others to do the same. Most important, my experience enables me to create a non-judgmental group setting for us all to feel safe enough to take risks and move beyond limitations to overcome the inevitable obstacles that accompany the decision to grow and expand.
We can’t always see our own creative blocks. My job is to shine the light on what wants to be seen. Most of us are like the golfer who can’t see what is wrong with his swing. We have unconscious creative habits and thoughts that do not serve us. Because of my extensive experience as an artist and facilitator, I’m able to coach participants in a compassionate way to see what they are not seeing. As one of my teachers used to say “simple awareness is often curative.” My coaching helps people overcome frustration and try something different. This makes it easier to complete the workshop and make necessary changes in all areas of life.
Are these workshops therapy?
THIS IS NOT THERAPY. While you or others may share some personal history or feelings during the course, the primary focus is on creativity as a practical and spiritual process. I moderate discussions and encourage everyone to find their own answers based on the experiences they have inside and outside of the workshop setting.
What if I don’t want to share?
In order to make The Artist’s Way workshop a safe place for creative recovery, I like people to work at their own pace. Nobody has to share. If a participant wants to pass on an activity or exercise, I ask that others in the group respect their decision to pass. At the same time many people want to expand and let themselves be seen, so there will be times I’ll encourage someone to take a risk . . . say, to participate in an activity that doesn’t feel particularly comfortable. But once again, every participant always has the option to pass.
What kind of time commitment will this program take?
You have a life and this program is designed to support you in living it more fully. Each class period is three hours and we do the kinds of exercises that are in the Artist’s Way book during the class period so you will not be expected to do the exercises at the end of the chapters at home. You will also be asked to read one chapter each week. You will also begin to work with the basic AW tools: the Morning Pages and the Artist’s Date. The morning pages take most people 15 - 30 minutes each day. The artist’s date requires that you do do something fun for at least an hour once a week. I also give small homework assignments . . . . for example in the first week of the AW, I ask that you eat your childhood food.
What about the first night of class?
BRING a journal, water and an open mind (believe me, the person across the room who makes you wonder if you are in the right place might be the very person you want to keep in touch with when the program ends. I’ve seen it happen more than once.) REGISTRATION on the on the first night of class begins at 6:15 P.M. If possible, please show up early so we can start on time.
How many people will be in the workshop?
In past years, there have been as few as 25 and no more than 65 people. Both group sizes have their advantages and disadvantages. Many say they find the diversity of a larger group more stimulating but it can be overwhelming at first, especially for those who are quiet or shy. No matter what size class, you will have a chance to connect with others. First, you will break into clusters (as Julia calls groups of four). These small groups provide a more intimate way to share the in-class exercises and activities. They make it easy to get to know others. Usually by the 2nd or 3rd week of class, people feel more comfortable. By the end of the course, a sense of community begins to emerge. And second . . . \coaching Assistants are always available to help you. These are people who have completed the one year CreativeLife program. They answer questions, share their own experiences and explain homework assignments.
What kind of people take the workshop?
Working artists. Aspiring artists. Non-artists. This workshop is for anyone who wants to practice “the way of the artist.” We’ve had scientists, agents, producers, other career professionals, housewives, hairdressers, comedians and students, even a “ghost buster.” We have had people at the beginning, middle and end of their careers who want to feel more inspired.There are both men and women ranging in ages between 17 to 80.
What people in the workshop usually have in common?
I believe the demographics of the workshop are less important than what people have in common. Most want to ‘change’ or “expand”. Many are in a transition. Some want to spend time around other creative individuals; others want to earn their living as an actor, finish a writing project, feel more inspired about a job or relationship. Some want to focus on themselves instead of everybody else; balance left and right brain activity. Some are tired of playing small. They want to move thought their self-criticism, jealousy and other limiting beliefs to enthusiasm, joy and juicy creativity.
What if I miss the first night of class, can I still sign up?
If there are still spaces available, you can sign up on the second or third week of the workshop. No one is allowed to begin the workshop after the third week because the content of the course builds on what proceeds it. Also I want everyone to get to know each other so that we feel safe experimenting and expressing ourselves.
How do I sign up?
1) Complete the registration form on this site. Or call (310) 839-3424.
2) Pay your $100.00 deposit or the full amount by clicking on “to register” below.
NO REFUNDS.
3) You will receive a letter confirming your enrollment, location, times, etc.
PAYMENT PLANS AVAILABLE.
If money is your only concern, please don’ let it stop you from beginning your creative recovery program. You can make payments, either with post-dated checks or on-line.
Who Benefits From The Artist’s Way? .......... Artist’s Way .......... To Register
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